Miguel Bonnefoy and Big Literature’s Embrace of Magical RealismWill a rising star resist the appeal of profitable exoticization?3d ago3d ago
Like the Other Girls: On Louise Chennevière’s ‘Pour Britney’2000s nostalgia should not make us forget the cruelty against women of their and our timesDec 21, 2024Dec 21, 2024
Longings for the Other, Longings for the SelfOn how literature has long yearned for the blank slate of the foreign OtherAug 13, 2024Aug 13, 2024
More Not-Fully-Formed Thoughts on Literary CriticismFor my last piece, I explored a rather tone-deaf piece by Christine Smallwood on The Yale Review on the material conditions of criticism…Jun 23, 2024Jun 23, 2024
To Hell With It: Yannick Haenel’s Les Renards pâlesHalf novel half manifesto, Haenel’s novel guides us towards a politics of refusal.Jan 23, 2024Jan 23, 2024
Abdellah Taïa: Snapshots of MoroccoRevisiting Taïa’s modest yet grand literary debutJul 29, 2023Jul 29, 2023
Constance Debré: the Nouveau Enfant Terrible of French Literature?I picked up a copy of Constance Debré’s Nom recently, after having heard that independent press Semiotext(e) had recently translated some…Jun 9, 2023Jun 9, 2023